TV DRAMA
07 January 2025
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- Narrative: opening scene trying to stop a crime, intense situation
- Setting: office, city, home, urban areas
- Characters: white male police officer, interviewer/ colleague?, wife and child
- Mis en scene: police uniform, siren sounds, alarm clock, police car, lowkey lighting, ariel view shot types
- Narrative: opening scene trying to stop a crime, intense situation
- Setting: shop, public park, offices, urban areas
- Characters: confident female police officer, drunk rowdy young men
- Mis en scene: police car and uniform, lowkey lighting, ariel view shot types
- Narrative: police tracking down a man but accidentally shoot the wrong person, opening scene trying to stop a crime, intense situation
- Setting: run down apartment buildings, police offices, urban areas
- Characters: male police officers, crying woman and baby
- Mis en scene: police cars, siren lights and sounds, radios, guns, police protective gear (bulletproof vests), crying sounds, lowkey lighting, ariel view shot types
- Narrative: opening scene usually an intense situation involving trying to stop a crime, usually with a victim. There are clues and red herrings that help or hinder the investigation. The story has a continuing narrative arc that unfolds over multiple episodes
- Setting: Urban areas or cities
- Characters: policeman and detectives as key characters, tent to be intelligent and determined to solve the crime, but they have a flaw. Antagonist is intelligent and crafty, always seems to be one step ahead of the protagonist. Usually handful of suspects with motives and a reasonable opportunity to have committed the crime. Typical character types such as villain, hero, helper, dispatcher
- Mis en scene: Police cars and uniform, siren sounds, ariel views
- Representation: the representation of characters and themes can challenge stereotypes and con-veined ideas
- Media Language: low key lighting, gritty and realistic settings, handheld camerawork, fast paced editing, diegetic sound (as if you were there)
- all white. no diversity.
- all female characters are only included in relation to other male characters, women not shown as stupid but definitely shown as weak and vulnerable, very stereotypical jobs
- clearer class structure
- Detective Inspector Jack Regan
- Detective Sargent George Carter
- non diegetic music, fast paced to match tension in chase scene
- mis en scene: police officers wearing suits connoting intelligence etc, criminal in less formal clothing
- produced by the BBC
- written by Neil Cross, who had previously written shows like spooks
- first series was aired on BBC One at 9pm on Tuesday 4th May 2010
- it was then also available on iplayer so they could watch it on catchup
- Luther is the name of the main protagonist, implying that the detective will be strong , independent, and central to the narrative
- Vladimir Propp: He was a folklorist researcher (looked at old tales like cinderella). Found all/most stories have the same types of characters. There were 8 character types...
- 1. Hero: leads the narrative, usually on quest or looking for something
- 2. Villain: has a conflict with hero and is trying to stop them from succeeding
- 3. The Donor: they give hero something e.g clue, knowledge, special power. Often fulfil the role of a mentor
- 4. The Princess: usually a prize or a reward for the hero. If the hero is female, there can be a prize but that is unusual
- 5. The Helper: helps the hero complete their quest, often like a sidekick/ best friend. Don't have the same heroic qualities as hero usually
- 6. The Princesses Father: an authority figure who offers a reward to the hero for completing the quest, that reward might be a prize, a princess or in the more modern narrative maybe a new car.
- 7. The False Hero: takes credit for the heroes actions or tries to marry the princess. May appear heroic at beginning of narrative but turns out not to be
- 8. The dispatcher: Early role who sets the story/quest in motion. Often combined with other roles like princesses father or donor
- Luther: Hero
- Villain: Alice Morgan, Henry Madsen
- The Donor: Ian, Rose, Justin
- The Princess: Zoe
- The Helper: Justin
- The Princesses Father: Rose
- The False Hero:
- The Dispatcher: Rose, Henry
- genre is dominated by the repetition of codes and conventions, they have a system of expectations
- genres change, develop and vary overtime
- genres borrow from and overlap with one another, this creates a hybrid e.g rom-com, crime-thriller
- each programmes must offer something new or provide something which makes it different to the others in that genre. This is known as a USP (unique selling point) E.g. Luther was the first black detective in a British crime drama
- advanced technology means broader shot types, better quality
- more diverse
- many elements hybridised from other genres- conventions from thriller genre in visual and audio codes - lowkey lighting non-diegetic music & dramatic cross cutting
- References to the horror genre- graphic shots, jump scares
- elements of police procedure, but with an increased focus on psychology
- The characters are far more complex and developed, particularly female roles
- Real life developments in forensics are reflected in the show
- Filming styles are very different (technology) - multiple angles far more camera movement & viewpoints
- extremely intelligent detectives able to solve crimes and understand clues that nobody else can.
- Not afraid to break the rules if it means catching the criminals
- often 'damaged' individuals who struggle to hold together their personal lives
- deceitful characters who pretend to be 'normal'
- capable of horrific crimes
- enjoy playing mind games with detectives
- a mysterious and dangerous female character
- Uses her sexuality to exert power over male characters
- A character more often seen in Film Noir
- Backstory: pre title sequence summarises the previous case and explains why Luther has been on leave. Madsen is shown again at the end of the episode, a continuing Narrative Arc that runs throughout the series
- Inverted Narrative: we know who the murderer is, and that Luther will catch her, but we don't know how. The ensuring psychological duel between the two characters is more engaging and exciting
- Crime: the murder of Alice's parents. we know that she did it - we literally see her with blood on her hands - but there is no sense of justice in the usual way.
- Narrative strands: neither crime nor Johns personal life are neatly solves by the end of the episode, but there is some sense of resolution
- Intelligent, ambitious, rebellious, highly committed to his job, highly regarded by his fellow officers, brilliant mind for solving crime but also uses questionable methods to get results
- Luther conforms to traditional masculine stereotypes as he dresses formally in suits showing his intelligence, he shows a lack of emotion with other men
- He challenges masculine stereotypes as he is empathetic and not very head strong /is emotional
- camera often frames Luther surrounded by lots of empty space: this is ambiguous as this can be perceived e.g as loneliness or independence
- a complex character who is both antagonist (unusual for a female) & femme fatal
- She has considerable power and agency as her actions drive the plot
- she displays many traits stereotypically associated with masculinity: unemotional, highly intelligent, ruthless & violent
- She subverts many female stereotypes but she is attractive and uses her femininity to taunt & flirt with Luther
- Zoe is less conventional character for crime drama
- She is indicative of the social context of the programme Luther
- however her representation is quite complex
- she is powerful and independent, as shown through her representation as a lawyer. she is also the one who ends her relationship with Luther. these could be seen as positive aspects of her representation
- whats more as a mixed race woman she is from a social group less likely to be represented positively on prime tie television
- produced by BBC
- shown on BBC1: corporations primary channel, offers range of programme types and genres and aims to appeal to a very wide audience
- BBC1 remit: create a high proportion of original programmes and to reflect the diversity of the UK
- 2016-17 BBC1: aimed to exhibit some or all of the following: high quality, original, challenging, innovative and engaging, nurture UK talent
- important features of BBC drama include: talk-ability, topicality and relevance to audience, Britishness and reflect the diversity of life in Britain
- series1 broadcast May 2010(BBC1, 9pm, Tuesdays)
- also available on iplayer for catchup
- re commissioned following the first series (5 series)
- in 2012, following the success of the first two series, BBC-America started co producing and broadcasting
- Luther broadcast on BBC America: broadcasts a mixture of UK and US programmes
- BBC America is part of BBC studios (commercial arm of the BBC, not funded by the UK license fee)
- Crime drama brings in a large part of BBC studios revenue and Luther has been distributed to many parts of Europe Africa and Asia
- also available on prime video and as a DVD box set
- marketing of series one was quite important in reaching a range of audiences
- a trailer was released on 16 April 2010 on BBC youtube channel
- A longer preview was shown at the end of April showing the scene where Luther & Ripley meet
- Additional footage and behind the scenes footage for each episodes were released on the website: used Idris Elba for the star appeal for these extra bits, as he's such a well known actor
- an 'Inside look' video was produced for BBC America when launched in the US
- social media links: twitter, instagram, facebook
- episodes and key moments clips
- interviews and BTS footage
- Graphic novels
- find out about different characters from past/ current series
- genre: crime drama is popular and it includes familiar conventions along with interesting hybridisation and unconventional elements, e.g unconventional elements of Luther are female antagonist and flawed main character(hero/ protagonist)
- Star Appeal: Idris Elba is well known and popular. He is an attractive and potentially aspirational persona, appealing to both male and females, who could both find him attractive
- Narrative: the Morgan murders and the ongoing Madsen case are engaging for the episode and the series. A female killer is unusual and appealing to those who prefer thought- provoking drama.
- Representations: range of complex male and female characters
- first episode received mixed reviews but were mostly positive
- the complex features could generate a mix of responses: might admire Luthers crime-solving skills but disapprove of the methods and violent responses. Might respond positive to Alice and find her intelligence and resourcefulness appealing, but respond negatively to the femme fatal conventions
- may agree that the ending reflects reality (not all criminal convicted)
- characters from series one were appealing audiences could relate to many of them
- massively successful, up to 19million viewers per episode
- led to Euston developing many more TV dramas and two spin off films
- dvd box set (rated 15) of all episodes released in 2004, offered nostalgia for older audiences and something new for younger audience
- Re-runs have been broadcasted several times over the years, Nov 2017, ITV4 broadcast all episodes of the drama on the ITV hub for catchup
- available on prime
- can be seen to have influenced many other police dramas: lead to genres changing over time (e.g flawed police officers has now slightly become a convention)
- Patriarchal society: Less gender equality. Reflected in the structure of the police force
- - In the entire show there is only one female police officer seen
- No diversity in The Sweeney: Britain in the 70's was far more racially diverse and multicultural, but racial discrimination was high and minority ethnic groups were under-represented
- - The entire cast is white, no diversity
- Sweeney was based on a real 'Flying Squad' which had been involved in a highly publicised corruption scandal.
- - The officers are slightly corrupt: threaten to frame someone giving the implication the police are not squeaky clean
- 1970s was a period of upheaval: strikes, shortages and economic problems
- - He had his car stolen, showing high crime rates which is common in times of upheaval
- Luther displays improved gender equality with a lot more predominant female characters, even Luthers boss being a woman representing women's authority.
- Luthers name might stand some relevance to people, as it subtly reminds audiences of Martin Luther King
- Racial equality has clearly changed since 1970, as the protagonist is a black male and the rest of the cast is pretty diverse (e.g Zoe)
- How is London represented: Lots of ariel shots of landmarks, representing it as a cosmopolitan/ financial/ modern city
- Sweeney reflects 1970s values in relation to gender especially gender in the workplace: the flying squad is male dominated, patriarchal and characterised by a stereotypically macho culture of drinking, violence etc.
- this reflects gender roles within society at the time particularly within the police force where women in the UK police force had a different rank structure to men
- Luther reflects some degree of gender equality in contemporary society in the representation of strong powerful females (Luther boss is a female, his wife Zoe is a successful lawyer Alice is a highly intelligent astrophysicist)
- however the females are not all represented positively or as being totally independent - Alice is a narcissistic murderer
- the Sweeneys represents British society as a completely white culture - there is no ethnic diversity at all
- Shot Reverse Shots: show dialogue or an interaction between two people
- The equal amount of shot reverse shots between Luther and Alice show the equal power dynamic
- 180 degree rule
- Luthers costume of a shirt and tie connotes his official status and authority as a police not only this but. his jacket is stereotypically seen on detectives
- the dark colours on his outfit represent his dark side
- desk full of paperwork & computer show she's hardworking
- Zoe having her own office shows she is good at her job/ has a high up position
- both characters standing with desk physically separating them, showing the divide between them
- both standing showing the situation as a bit more tense or heated
- glass separating walls show urban setting, modern

- Luthers body language, laid back, slouching. Costume: informal, comfy clothes, not professional. Facial expression: Luther frowning, he's frustrated, confused, lost - let himself go a bit. Lack of eye contact also shows he doesn't want to reconnect
- Ian leaning forward suggesting he cares wants to reconnect, Luther leaning back showing he is trying not to reconnect
- setting: psychiatric hospital, Luther is damaged mentally not physically after the accident, shows he has a conciseness and isn't completely morally corrupt
- lowkey lighting sets a sad tone, bright on outside and dark on inside
- chess on the table: intelligence, dialogue "finally been able to beat you" reinforces his intelligence
- blinds resemble bars on the window, like he is trapped

- confident, aggressive, physically strong - Luther fighting Zoes boyfriend - hegemonic masculinity
- emotional, persistent
- defensive against Zoes bf and other officers
- all police officers were male, showing them as strong/ authoritative, traditional stereotype
- needs protecting by a man from another man (boyfriend protecting her from Luther), also phoning for help, show her as weak?
- she is a prize/ object, they are fighting over her
- emotional: Zoe crying, stereotypical
- Zoe stopping the officers and Luther shows she has power as they actually do stop, anti stereotypical
- not very diverse
- aggressive
- ethnic minority in a higher position of power
- Question 1: analyse either media language or representation in an extract
- Q1a: simple analysis question

- Zoe: skirt suit shows her as professional
- Alice: scene where she attacked Zoe she was in a disguise, darker hair and we can see her darker clothes in ariel shot clothes as usual
- Luther: shirt tie, undone button on shirt and loose tie reflects his slightly rebellious nature, the darker tones he wears represent his dark side
- Rose: also in a suit, short hair, slightly masculine. stereotypically a mans job so unsurprising they dressed her in masculine clothing to show her role - femininity isn't professional/ doesn't connote leadership and authority
- crime drama: stereotype is urban areas
- is in a city (urban area) which is stereotypical for crime drama as higher crime rates here etc
- ariel and long shots show the contemporary buildings
- zoe leaves the glass modern building in comparison to other older brick buildings on street
- ariel shot shows the hidden corner alice attacks zoe looks smaller and more confined, intimidating compared to open street
- Luther has his own office at police department showing importance as all other people we have a shared space
1 (a) Explore the connotations of the costumes of two characters in the BBC Crime Drama
Luther. (8)
The lack of a police uniform helps us to understand that Luther is a detective that may go undercover, often putting himself in dangerous situations or circumstances where he has to conceal his identity. Instead, Luther is seen almost always with un ironed shirts and a loose tie. This messy look communicates Luthers rebellious nature to not conform to societal norms that shape a formal image, instead he makes his own decisions and does not care to appeal to others and the rules. This could show that he is being represented as a corrupt officer, which has become a common convention of the crime drama genre as it’s developed over the years. However the presence of the tie still shows the good and true nature of what he is doing and presents him as intelligent. He is clearly comfortable and secure within himself to wear a status symbol of intelligence with little care. Furthermore, the monotone pallets of Luther’s costumes, such as his long trench coats, trousers and jackets all represent both his dark side and the dark crimes he deals with. They connote the serious nature of his job and the authoritative, determined attitude he has towards it, therefore representing him as hardworking and admirable.
The women’s costumes in Luther reinforce stereotypes within both the crime drama genre, and a lot of the media industry. For example, Luther’s boss Rose has been dressed in a trousers suit with a waistcoat and collared shirt, which are all very formal - they also hold very masculine connotations as throughout history suits have stereotypically been for ‘men’. This could show that she is being represented as what the media perceives as a strong and authoritative figure, however this image has been constructed from the basis of masculine stereotypes. Rose also has a short haircut. These together could communicate the message that traditional femininity isn’t capable of holding power and doesn’t connote success or a high level role. Alternatively, this decision could have been made as feminine traits within this job role unfortunately would not be distinctively recognisable due to its under representation within the media.
1 (b) Explain how the character John Luther is typical of the TV crime drama genre. (12)
John Luther is a stereotypical character within the TV crime drama genre, embodying several key traits commonly found in this type of narrative. Firstly, Luther is characterized by his complex personality, which often includes a blend of brilliance and personal flaws. This duality is a distinctive feature of many crime drama protagonists, who are typically shown as highly skilled detectives or investigators conflicted by their personal troubles. Luther's hard work often leads to moral ambiguity, as he sometimes bends the rules, reflecting the genre's exploration of the grey areas in law enforcement.
The portrayal of Luther's relationships adds depth to his character and aligns with genre conventions. Crime dramas frequently show the personal lives of their main characters, showcasing how their work impacts their relationships with friends and family. Luther's interactions with his colleagues and his complicated romantic entanglements highlight the stress and emotional toll that his job takes on him which is a common theme in crime dramas. This personal struggle not only humanizes him but also creates tension that drives the narrative forward.
In terms of ethnicity and gender, Luther’s character is particularly significant. As a Black male lead in a predominantly white genre, Luther challenges traditional representations in crime dramas. His character challenges the stigma surrounding racist beliefs of the relationship between crime and race; Luther challenges this by being on the right side of the law. This sends an empowering message to audiences that have faced struggles with these racist stereotypes, establishing Luther as an admirable role model. Gender has been represented both stereotypically and not, as Luther shows traits or hegemonic masculinity with his aggression, physical strength, intelligence and more. However he also possesses some opposing characteristics, as he gets very emotional in some scenes like his fight with Zoe. This adds a more meaningful portrayal of a detective by showcasing the duality of both strength and vulnerability. Overall, John Luther is a typical yet innovative character within the TV crime drama genre, embodying complexity and a reflection of contemporary social issues.
Good notes.
ReplyDeleteHEGEMONIC MASCULINITY: excellent answer with specific examples to support your ideas.
CONTEXT: not finished but a good start.
HWK - Genre theory: missing
HWK: TVD Characters: missing